Rodney Batista (La Habana, 1988)

The work of Rodney Batista has a proximity to death, which loses us on the threshold of its immediacy, of surviving the lack of bodies. Photography has become his most accurate tool to recompose absent bodies of living in a space uninhabited. As enigmatic as telling his speech confronts us with the sensory pleasure that causes the perception of death.

La obra de Rodney Batista tiene una proximidad a la muerte, que nos pierde en el umbral de su inmediatez, de sobrevivir a la falta de cuerpos. La fotografía se ha convertido en su herramienta más precisa para recomponer los cuerpos ausentes de la vida en un espacio deshabitado. Tan enigmático como  su discurso, nos confronta con el placer sensorial que causa la percepción de la muerte.

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