Óscar Aguirre (La Habana, 1965)

When confronted with the personal stamp of Óscar Aguirre Comendador’s artistic production, we find a formal language with visible minimal influence in its invoice, which is not divorced at all from an eminently Cuban conceptual code.

Al enfrentarnos al sello personal de la producción artística de Óscar Aguirre Comendador, hallamos un lenguaje formal con visible influencia minimal en su factura, que no se divorcia para nada de un código conceptual eminentemente cubano.

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